WILHELM KÅGE (1889-1961) FOR GUSTAVSBERG The Argenta Series, Art Deco Vase Sweden, circa 1930
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Medium: Glazed stoneware with silver overlay Dimensions: 14 in high x 7 in diameter This beautiful piece is part of the artist's Argenta Series, which he produced for the Gustavsberg Factory in 1917, and which first won him major success. The series includes everything from ashtrays to 60 kg urns--primarily in a green glaze with silver details. Signed: GUSTAVSBERG, ARGENTA Numbered: 1076 IV Stockholm, and later, at the Gothenburg Art School in Valand. While still in school he made money making posters—advertisements for exhibitions, plays, and shows. He was one of the first Swedes to use posters to convey messages and as advertising. His colorful designs were soon so popular that by the time he graduated local galleries were exhibiting his work. An exhibition at Liljevalchs in 1917 drew the attention of the Gustavsberg Factory. Not long thereafter, the firm tapped Kåge to make its dinnerware and other everyday products more beautiful. He would serve as Gustavsberg’s Artistic Director until 1948. Over these thirty years Kåge created as many varieties of tableware in innumerable new glazes and original designs. His first in a long line of successes was Argenta—a series of ceramics that ranged from enormous urns to dinnerware to accessories, like ashtrays. The pieces were produced well into the 1970s and are today extraordinarily desirable. The best known of the series are glazed in green and decorated with silver images and patterns, which Kåge, at first, had himself designed and executed. Kåge’s most famous and exclusive work on behalf of Gustavsberg is Farsta. He presented the first of this series of stoneware pieces at the Stockholm Exhibition in 1930. The firm would continue to produce the series until 1960. The pieces were created by an elaborate process—first dipped in metal oxide baths, they were then glazed, and fired twice over. During his tenure Kåge refined this process, introducing new versions of Farsta (one, the notable Rust editions, appear practically torched, as if burned with a flamethrower). Such was Kåge’s passion for the series that he continued to tinker with its pieces’ design and execution even after his retirement from Gustavsberg—at least until 1949 when he was awarded the Prince Eugen Medal for design. Kåge died in 1960. His ashes were placed in a Farsta urn. In 1989 The National Museum of Sweden honored his 100th birthday by mounting an expansive exhibition of his work.
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Published in Furniture, Lighting, Decorative Objects and Fine Art categories